Between Aidoo’s Feminism and Sofola’s De-Womanisation: Issues and Perspectives in African Gender Discourse

Ama Ata Aidoo of Ghana and Zulu Sofola of Nigeria are matriarchs of African Literature because of their active involvement with female self-assertion in Africa. Whether in the novel of drama, Aidoo’s women are assertive and individualistic; but female assertion in Sofola’s works functions within cultural boundaries because she abhors the tendency

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Author Imoh Abang Emenyi
Maintainer Journal of Theatre and Media Studies
Version 2008
Last Updated April 11, 2024, 08:00 (UTC)
Created April 11, 2024, 07:59 (UTC)
Issue 1
Pages 57-68
Volume 2
publisher Valid Publishing Company